Too many revolutions of the valve can result in the valve completely unscrewing from the closer body, causing all hydraulic pressure to be lost.ĪDA and Closing SpeedAccording to the Americans With Disabilities Act (ADA) standards, section 404.2.8 states that door closers must take atleast 5 seconds to close from 90 degrees to 12 degrees of the closing cycle range. It is always recommended that when making adjustments only turn the valves 1/8 to 1/4 turn at a time. S and L Valve AdjustmentsTo increase the "S" (sweep) or "L" (latch) speeds, the valves can be turned clockwise to increase speed, and counter-clockwise to decrease speed. Where "1" is the sweep speed adjustment valve and "2" is the latching speed valve adjustment. "1" and "2" Are On The Door Closer, Not "S" and "L"On some door closers the term "S" and "L" are not used, instead a numeric system is used "1" and "2". The latch valve adjusts the closing speed of the door during the latch range. On the illustration above the portion of the door closing cycle from approximately 15 degrees to 0 degrees is the the latch range of the closing cycle. "L" Stands For "Latch"The "L" valve on the side of the door closer stands for "latch". The sweep valve adjusts the closing speed of the door during the sweep range. The sweep refers to the portion of the closing cycle from the 180 degree full open position to approximately 15 degrees of the closing cycle. The illustration above shows a door's closing cycle. "S" Stands For "Sweep"The "S" valve on the side of the door closer body stands for "sweep". In fact, if the "S" and "L" valve are adjusted it is best to only do a 1/8 to 1/4 turn at a time. Doing so, will cause the door closer to lose hydraulic pressure, and will ruin the door closer. For these reasons, the "S" and "L" valves are not designed to be completely unscrewed and removed. O-ring seals are also used to ensure air does not get into the closer body which could create problems when the hydraulic fluid is put under pressure. On the valve are o-ring seals which are needed to ensure that the closer body remains sealed since it holds the hydraulic fluid. The valve is threaded and designed to be turned clockwise to restrict the flow of hydraulic fluid, or counterclockwise to increase the flow of hydraulic fluid. The illustration above shows the "S" and "L" valves removed from the door closer body. Although they appear to be a hex key type of screws, they actually function as valves to regulate hydraulic fluid from one chamber within the door closer body to another chamber within the door closer body. On the side of a standard door closer body are two hex key screws, one with the letter "S" above it, and the other with the letter "L" above it. In this article we explain what the "S" and "L" stand for, their function, how they are used on door closers. What Does S and L Mean On A Door Closer?If you have ever tried to adjust a commercial door closer you may have noticed two hex key screws on the side of the door closer labeled "S" and "L".
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In a follow-up email, Bedoya said of the administrative subpoena ICE uses to request the search, "This is not a court order or a warrant, this is just ICE saying that they have the authority to ask for this search, and then asking for the search." And the DMVs do so - usually in secret and without telling the people in the state." "And this law was written before face recognition existed. "What happens is that ICE takes advantage of a two-decade-old law that says that in general, DMV should cooperate with law enforcement," Bedoya says. While some records referred to an administrative subpoena, none mentioned a search warrant. I'm sure our concerns will be bipartisan."ĭoubts about the accuracy and ethics of using facial recognition also recently prompted Axon, the largest maker of police body cameras, to reject the idea of selling facial recognition technology.Īs for the authorization or permission federal agencies need to get before they can use facial recognition to search driver's license photos, the process often involves filling out a request form, according to a review of about a dozen state documents Georgetown Law shared with NPR. King added, "I'll be joining with legislative colleagues to get answers about how this happened. King, D-Utah, said via Twitter, "It is not OK that the Utah state DMV officials turned over data to ICE to help set up a surveillance system." Responding to the Georgetown Law report, Rep. Lawmakers from both parties have raised concerns about the accuracy of recognition systems and the lack of privacy restrictions that would prevent federal agents from mining state databases. "The question isn't whether you're undocumented - but rather whether a flawed algorithm thinks you look like someone who's undocumented," Bedoya says. "I think it's really important for folks to realize that even if you're not undocumented it does affect you," Bedoya says, "because the software is biased and doesn't really protect or find people of color, women or young people really well." Similarly, on the Vermont Department of Motor Vehicles page about its driver privilege card, the agency highlights the fact that it "is NOT Real ID compliant."įacial recognition can be particularly dangerous, critics such as Garvie and Bedoya say, because recent studies have found the technology both unreliable and biased, putting people at risk of being falsely connected to a crime or investigation. "The Utah legislature rejected the federal info-sharing required under the REAL ID Act as 'inimical to the security and well-being' of the state and 'adopted in violation of the principles of federalism,' " Garvie wrote on Monday. His colleagues include Clare Garvie, who says via Twitter that in Utah, federal access was granted despite the Legislature's explicit stance against such practices. News of ICE's use of facial recognition software to sift through state databases was first reported by The Washington Post, drawing on documents collected by Bedoya and his team. In at least three of those states - Washington, Utah and Vermont - ICE agents are "actually taking advantage of that to secretly find and deport those people using face recognition technology," Bedoya says. states allow undocumented immigrants to get a formal license or driver privilege card. His group received the official records through Freedom of Information Act requests made to police departments and DMV offices around the country. "In our view, this is a scandal, and huge betrayal of undocumented people," Bedoya tells NPR's Morning Edition. In some cases, Bedoya says, ICE has used facial recognition to sift through data in states that have urged undocumented immigrants to obtain driver's licenses. He adds that the searches often take place without state residents' awareness or approval. Immigration and Customs Enforcement agents mine millions of driver's license photos for possible facial recognition matches - and some of those efforts target undocumented immigrants who have legally obtained driver's licenses, according to researchers at Georgetown University Law Center, which obtained documents related to the searches.įederal agencies have not gotten congressional approval to use state DMV records as a massive database, says Alvaro Bedoya, the founding director of Georgetown Law's Center on Privacy & Technology. This is an example of a Homeland Security request that was made to the Vermont Department of Motor Vehicles in 2017. In many cases, federal agents can request access to state DMV records by filling out a form. IMovie is a basic video editor developed by Apple Inc., which runs on the latest versions of Mac OS X and iOS, and is familiar to most Mac and iOS users. If you need a video editor MiniTool MovieMaker is a great choice for you. To find out the answer to this question, this article will tell you the main differences between iMovie and Final Cut Pro. Which of the popular iMovie vs Final Cut Pro is more suitable for your needs? With the continuous development of new media, more and more people begin to try video editing. Best iMovie and Final Cut Pro Alternative for Windows.The Comparison Between iMovie VS Final Cut Pro.Let’s learn the differences between iMovie and Final Cut Pro. But it’s crucial with paid apps: think about not just what you want to do today, but what you might want to do in six months or a year too.Which video editor do you prefer regarding iMovie vs Final Cut Pro? Both of these video editors have their advantages and disadvantages. However, it’s also wise to choose an app that can grow as you become more experienced: for example, you might not be needing more advanced editing features today, but what about six months from now? This isn’t as important with free apps, although if you switch to another app, you may need to learn a whole new way of working. It’s often better to get an app with a simpler user interface so you can concentrate on learning how to use its features rather than trying to work out what all the buttons and panels are for. If you’re new to video editing, a pro-level program is likely to be very intimidating. There’s no point getting a Hollywood-grade movie production studio if you just want to edit your home movie of your best friend’s wedding similarly there’s no point going for a cheap and cheerful basic editor if you’re making a short film or promotional video. It’s important to take that into consideration and to include subscription costs in your quote if you’re being asked to take on a project you’ll need to buy or subscribe to software for.Īlthough it’s not the end of the world if your preferred program doesn’t import or export in a specific format – there are lots of converters out there, many of them free – it’s an extra step in your workflow that you’d be better off without. Not all video editing software comes with a flat price: some of it is subscription-based, which on the one hand can save you money – you can subscribe until the project is finished and then unsubscribe – but can cost you a lot of cash if you’re going to be subscribing for a long period. And sadly, the answer to “can you use Final Cut Pro on Windows” is “no”, because Mac software doesn’t run on Windows: although there are lots of people searching online for how to install Final Cut Pro on Windows 10, you can’t install it on Windows let alone run it. Although it’s sometimes possible to run Windows programs on the Mac using third-party software, we wouldn’t recommend it for video, which suffers badly from performance issues in emulation software. The OS you intend to use will limit some of your choices, so for example, the Final Cut Pro video editor is only available for Mac computers, while many of the quick and simple video editors are for Microsoft Windows 10 only. There are five key things to consider when you’re thinking about choosing an alternative to Final Cut Pro. It’s rather intimidating for beginners, and it’s overkill for making the odd home video, but if you’re a video pro, this is a serious tool for serious work. Premiere Pro is essentially Photoshop® for video, a heavyweight app that’s perfectly at home in production environments for TV and film. There’s a stripped-down version for creating online videos called Premiere Rush that’s half the price. Premiere Pro is the big beast of PC video editing and probably the closest Final Cut Pro Windows equivalent, and unfortunately, that means it has a big price tag too: it’s only available as a monthly subscription of £19.97 (which works out as nearly £240 a year unless you qualify for an educational discount) or as part of a bigger and more expensive Creative Cloud all-apps subscription. Best for: Heavyweight projects in production environments Miles Davis came to Montreux several times, British hard rock band Deep Purple were invited as headliners eight times, and Status Quo have headlined the festival twice. Jazz remained important, as did Brazilian music, but more rock and pop artists were also invited. The festival changed in the 1980s: it grew dramatically and included an even wider variety of music styles. Additional themed shows (Bahia, Blues, etc.) are held on boats cruising the lake and train cars traveling the region, and various workshops and competitions are held at the nearby Montreux Palais and Le Petit Palais. (This is exacerbated by the presence of a large number of streetside vendors and artisans – as well as strolling crowds of tourists – on the lakefront walk that connects the venues.) As of 2007, the Convention Centre hosts two main stages, Auditorium Stravinski (capacity 3,500) and Miles Davis Hall (capacity 1,800), as well as the smaller Montreux Jazz Cafe, and several smaller open-air stages around the Centre. Beginning with the 41st MJF in 2007, nightly performances of headliners were again moved mainly to the Montreux Musique & Convention Centre (though the Casino still hosts the odd one-off shows), owing mainly to logistics: the Casino is approximately 1 kilometre (1,100 yd) from the Convention Centre, making it difficult for crew, artists and technical personnel (as well as fans) to travel easily through crowded streets from one venue to the other. From 1995 through 2008, it occupied both the convention centre and the casino. The festival continued to grow, and in 1993, it moved to the larger Montreux Convention Centre. The festival was held then in other auditoriums in Montreux, until it could return to the rebuilt new Casino in 1975. The festival was originally held at the original Montreux Casino, which burned down in December 1971 during Frank Zappa's performance (as referenced in " Smoke on the Water" by Deep Purple). Mathieu Jaton has organised the festival since Nobs’ death in 2013. Initiator and head organizer Claude Nobs brought an array of artists to Montreux. King, Stevie Ray Vaughan, Gary Moore, Weather Report, Don Ellis, Crossfire, Buddy Guy, Camarón de la Isla and Tomatito, Soft Machine, Chuck Berry, Peter Tosh, George Clinton and Parliament-Funkadelic, Eric Clapton, Luther Allison, Bo Diddley, Stan Getz, Airto Moreira, Joe Henderson, Dizzy Gillespie, Oscar Peterson, Ney Matogrosso, Charles Mingus, Etta James, Sonny Rollins, Son House, Count Basie, Chick Corea, Herbie Hancock, Gilberto Gil, Ray Charles, James Booker, Hermeto Pascoal, Mahavishnu Orchestra, Rory Gallagher, Marianne Faithfull, Elis Regina, Les McCann, Eddie Harris, Pasadena Roof Orchestra, New Order, Jaco Pastorius, Ringo Starr & His All-Starr Band, Toto, Zucchero Fornaciari, André Geraissati, Korni Grupa, Jan Akkerman, Joe Satriani, Status Quo, Prince, and many more. Santana came to Montreux for the first time in 1970 Van Morrison played in 19. Towards the end of the decade, the festival expanded even more, including music from all continents (with an emphasis on Brazilian music) and lasting a full three weeks. In the 1970s, the festival began broadening its scope, including blues, soul, and rock artists for instance, Led Zeppelin, Pink Floyd, Frank Zappa, Deep Purple, Canned Heat and many others. Today's festival lasts about two weeks and attracts an audience of more than 200,000 people. Part of the festival's expansion was due to coproduction by Quincy Jones, who brought many international artists in the early 1990s. Jazz remains an important part of the festival. Originally a pure jazz festival, it opened up in the 1970s and today presents artists of nearly every imaginable music style. Montreux Jazz Festival 1983 poster designed by Keith Haring The PlayStation 3 version has these unlocked as the players clear stories while these are already unlocked in the Wii version. Two difficulty levels, Novice and Hell, are added to the game.Two new modes are available: the Challenge Mode and the Original Career Mode.Characters who previously had no stories in the original release now have their own scenarios in the Xtreme Legends version.This time around like the last Dynasty Warriors 6 Treasure Box release, the illustration book includes a handful of comical illustrations with the cast. The Treasure Box for Z includes the usual developer commentary and illustration book, a copy of the original soundtrack, and an exclusive daily calendar. There were no plans for a Premium Box edition of the Xtreme Legends version. The producer said the main goal of launching the game again for the PlayStation 3 was to appease fan responses from surveys. 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have gone public via a SPAC merger this spring and summer. Canoo, Fisker Inc., Lordstown Motors and Nikola Corp. Four electric vehicle startups have also skipped the traditional IPO path in recent months, opting instead to go public through a merger agreement with a SPAC, which are also known as blank check companies. In June, Velodyne Lidar struck a deal to merge with special purpose acquisition company Graf Industrial Corp., with a market value of $1.8 billion. Luminar is the latest startup - and second lidar company - to turn to SPACs this summer in lieu of a traditional IPO process. But the momentum from the Volvo deal along with interest within public markets led the company to take the SPAC route, Russell said. Luminar founder and CEO Austin Russell told TechCrunch that they wanted to go public at some point. The Luminar technology will be used to deploy an automated driving system for highways. The SPAC merger comes just three months after Luminar hit a critical milestone and announced that Volvo would start producing vehicles in 2022 equipped with its lidar and a perception stack. Gores Metropoulos, which is listed on the Nasdaq exchange, is a special purpose acquisition company, or SPAC, sponsored by an affiliate of The Gores Group, the global investment firm founded in the late 1980s by Alec Gores. Luminar has also received minority investments from the world’s largest commercial vehicle manufacturer, Daimler Truck AG, and Volvo Cars, a global leader in automotive safety, to accelerate the introduction of autonomous trucks and cars at highway speed.Luminar, the lidar startup that burst onto the autonomous vehicle scene in April 2017 after operating for years in secrecy, is merging with special purpose acquisition company Gores Metropoulos Inc., with a post-deal market valuation of $3.4 billion. The Cirrus dataset is being released as part of the new Volvo Cars Innovation Portal, which makes a broad variety of resources and tools available for free, allowing external developers to create new innovative services and in-car apps.Įarlier this year, Luminar signed the industry’s first production deal for autonomous consumer vehicles with Volvo Cars, while also recently striking deals with Daimler Truck AG and Intel’s Mobileye. This is reflected in the dataset, which also includes uniform lidar data and corresponding camera images, and annotations for reference. Luminar also has the unique capability of dynamically adjusting its scan pattern for optimized resolution up to 5x standard uniform distribution. To date, lidar research has relied on shorter range, lower resolution point clouds and uniform scanning patterns in public datasets. Duke University’s Pratt School of Engineering has also been contributing effort to the project. The dataset is intended to help advance research and refinement of self-driving software algorithms, in the interest of improved vehicle safety at highway speeds and in complex environments. All images have gone through an anonymization process blurring faces and license plates to eliminate personally identifiable information.Ĭirrus features raw data from Luminar’s high performance lidar sensors, which accurately detect objects ahead of the car out to 250 meters away. It includes both high-speed highway and low-speed urban-road scenarios. Cirrus has been annotated for eight object categories across the entire 250-meter lidar effective range. The Cirrus dataset contains 6,285 pairs of RGB, lidar Gaussian, and lidar Uniform frames. This curated dataset is being opened to industry developers and researchers in order to aid and further advancements for safe self-driving. Luminar Technologies, Inc., a provider of automotive lidar hardware and software technology, and Volvo Cars released a curated dataset called Cirrus containing unique long range lidar data from Volvo Cars’ test and data collection fleet. |
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